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In 1969, Warhol and British journalist John Wilcock launched Interview magazine.
Later that year, he moved to New York City and began a vocation in journal illustration and marketing.
In May 1962, Warhol was highlighted in an short article in Time journal with his painting
Big Campbell's Soup Can with Can Opener (Vegetable) (1962), which initiated
his most sustained motif, the Campbell's soup can. During the 1960s, Warhol also groomed a retinue of bohemian and counterculture eccentrics upon whom
he bestowed the designation "superstars", such as
Nico, Joe Dallesandro, Edie Sedgwick, Viva, Ultra Violet, Holly Woodlawn, Jackie Curtis, and Candy Darling.
Warhol had a re-emergence of vital and economic success in the
nineteen eighties, partly thanks to his affiliation and friendships with a quantity of prolific younger artists,
who ended up dominating the "bull market place" of nineteen eighties New
York artwork: Jean-Michel Basquiat, Julian Schnabel, David Salle and other
so-called Neo-Expressionists, as very well as members of the Transavantgarde
motion in Europe, including Francesco Clemente and Enzo Cucchi. -
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